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b. 6
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In A (→GE→FE→EE), Chopin changed the RH rhythm and articulation of the 1st half of the bar as compared with AI. Identical rhythmic differences also occur in similar bars 10 & 12. The staccato sign—a wedge in A—was reproduced inaccurately as a dot in GE, and omitted in FE (→EE). category imprint: Differences between sources; Corrections & alterations |
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b. 6-10
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composition: Op. 24 No. 3, Mazurka in A♭ major
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AI has no dynamic markings on the 2nd beat in bar 6 & 10. category imprint: Differences between sources; Corrections & alterations |
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b. 6
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composition: Op. 24 No. 3, Mazurka in A♭ major
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A distinct staccato wedge in A was reproduced inaccurately as a dot in GE, and omitted in FE (→EE). See bar 6. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Wedges |
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b. 6
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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Visible in A is an erased repeat sign marking bar 6 as opening a section to be repeated. category imprint: Source & stylistic information issues: Corrections in A |
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b. 6
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composition: Op. 39, Scherzo in C♯ minor
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The staccato sign in EE and GC (→GE) is doubtless authentic. In our main text we give the wedge recorded in GC, as publishers often replaced Chopin's wedges with dots, considering the former to be inaccurate or hasty renditions of the latter (this was a rule for GE, cf. e.g. a characteristic of the B&H edition in the Nocturne in D category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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