



b. 6
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composition: Op. 39, Scherzo in C♯ minor
..
The staccato sign in EE and GC (→GE) is doubtless authentic. In our main text we give the wedge recorded in GC, as publishers often replaced Chopin's wedges with dots, considering the former to be inaccurate or hasty renditions of the latter (this was a rule for GE, cf. e.g. a characteristic of the B&H edition in the Nocturne in D category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 6
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composition: Op. 39, Scherzo in C♯ minor
..
Lack of category imprint: Differences between sources |
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b. 6-8
|
composition: Op. 39, Scherzo in C♯ minor
..
The absence of the hairpin mark in FE may be due to oversight. We insert that mark, as it occurs both in EE and in GC (→GE). Cf. the preceding note. category imprint: Differences between sources |
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b. 6-20
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composition: Op. 39, Scherzo in C♯ minor
..
The slur above the R.H. appears three times in EE (bars 6-8, 14-16 and 18-20) and twice (bars 6-8 and 14-16) in GC (→GE). FE has no slur in any of those places. category imprint: Differences between sources |
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b. 6-7
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composition: Op. 45, Prelude in C♯ minor
..
In the main text we suggest a variant solution that takes into account both the version of GE and that of FE (→EE). The two category imprint: Differences between sources issues: Hairpins denoting continuation |