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b. 6
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composition: WN 55, Waltz in F minor
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Three variants of the L.H. are possible: category imprint: Differences between sources |
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b. 6
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composition: WN 55, Waltz in F minor
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Almost all sources feature a crotchet rest on the 3rd beat in the L.H. It is only AK that has an a category imprint: Differences between sources |
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b. 6
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composition: Op. 43, Tarantella
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In GE3 ( →GE4) c1 was arbitrarily augmented to the length of a dotted crotchet.
In # GE1 (→GE2→GE3) from unknown source there apears an unjustified cautionary
Similar text variants appear in b. 14. category imprint: Interpretations within context; Differences between sources issues: GE revisions |
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b. 6-7
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composition: Op. 43, Tarantella
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In A and FC3 the second grouping of quavers in bars 6-7 is marked in short as repetition of the first group. Similarly in bars 14-15. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 6
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composition: Op. 24 No. 2, Mazurka in C major
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The extent of the slur in this bar in A is not clear. As slurs reaching grace notes are used only in exceptional cases, the slur in A may be interpreted as reaching the 2nd quaver or the crotchet on the 2nd beat of the bar. The comparison of all the 12 analogous bars point to the latter possibility. In GE (→FE→EE), the former solution was adopted. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A |
-c1 third - it repeats two elements of the previous chord. The authenticity of the version of 
