Page: 
Source: 
p. 1, b. 1-21
p. 1, b. 1-21
p. 2, b. 22-43
Main text
Main text
AI - Presentation autograph
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Presentation autograph
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 6

Rhythm and articulation in AI

Rhythm and articulation in A,
a wedge on e1

GE,
a dot on e1

FE (→EE),
no mark

In A (→GEFEEE), Chopin changed the RH rhythm and articulation of the 1st half of the bar as compared with AI. Identical rhythmic differences also occur in similar bars 10 & 12.

The staccato sign—a wedge in A—was reproduced inaccurately as a dot in GE, and omitted in FE (→EE).

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues:

notation: Rhythm