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b. 1-12
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composition: Op. 39, Scherzo in C♯ minor
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The sources differ here with regard to the placement and scope of hairpins category imprint: Differences between sources |
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b. 1-12
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composition: Op. 39, Scherzo in C♯ minor
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Slurs below the staff in bars 1-4 and 9-12 were added in GE, doubtless by a reviser; the same goes for bars 12-14 and many other places. Such doubling of performance indications is very rarely found in authentic sources. category imprint: Differences between sources issues: GE revisions |
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b. 1
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composition: Op. 39, Scherzo in C♯ minor
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We propose leaving the title without the ordinal number. As can be seen in GC, that number was added later. It is highly likely that numbers sometimes appearing in titles were added, even by Chopin himself, for marketing purposes. category imprint: Differences between sources |
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b. 1
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composition: Op. 39, Scherzo in C♯ minor
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Both versions of the dedication are probably authentic; the version of FE may be a later one. The question why the dedication was missing from EE is difficult to answer, category imprint: Differences between sources issues: Dedications |
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b. 1
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composition: Op. 45, Prelude in C♯ minor
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Not being sure of the spelling of the last name of the princess, Chopin asked Fontana (in the letter dated 6 Oct. 1841) to find it out from the princess herself or from her governess: "I don't know how Mme Czerniszew spells her name [...]: is it Tscher, or Tcher? [...], whether it is Elisabeth, and whether Tschernischef, or ff [...]". As GE and FE2 differ in that respect, it seems natural to assume that the later-published FE2 presents the spelling checked by Chopin. The dedication in EE2 was repeated after GE. category imprint: Differences between sources issues: Dedications |