Issues : Errors of GC
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b. 37
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composition: Op. 35, Sonata in B♭ minor, Mvt I category imprint: Differences between sources issues: GE revisions , Rhythmic errors , Errors of GC , Errors repeated in GE |
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b. 39
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composition: Op. 25 No 11, Etude in A minor
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Lack of the fingering numeral over the 6th semiquaver in GC (→GE) is a result of a patent oversight of the copyist. category imprint: Differences between sources issues: Errors of GC |
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b. 39
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composition: Op. 25 No 11, Etude in A minor
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There is no accidental before the penultimate semiquaver in GC (→GE1), FE and EE. The missing category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors in EE , Omissions to cancel alteration , GE revisions , Errors of GC |
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b. 40
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composition: Op. 25 No 3, Etude in F major
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In GC, FE and EE1, there are no naturals before the 1st semiquaver and 2nd quaver in the R.H. (g1 and d2). Both patent inaccuracies were corrected in GE, whereas in EE2 (→EE3) and FES, only the first of the signs was added, the category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Accidentals in different octaves , Errors in EE , GE revisions , Annotations in FES , Errors of GC |
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b. 40-41
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The absence of accidentals on the 2nd and 3rd beat of bar 40 and 2nd beat of bar 41 in GC and FE1 (→FE2→EE1) is almost certainly Chopin's mistake. It is confirmed by naturals raising g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Authentic corrections of FE , FE revisions , Errors of GC |
returning d3 is undoubtedly an oversight of Chopin, corrected in 
1 to g1.
1 to g1 in bar 40 and g