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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 42

composition: Op. 23, Ballade in G minor

No mark in A (→FE)

Short accent in GE

Vertical accent in EE

..

The missing accent in A (→FE) is probably Chopin's oversight, perhaps provoked by lack of space for the mark – in this (and the next) figure, Chopin still wrote R.H. stems and beams under the notes, which makes the insertion of an accent between the staves almost impossible in the discussed place. The accent was added by GE and EE (a vertical accent in the latter, as in the remaining figures – cf. b. 41-43).

category imprint: Differences between sources

issues: EE revisions , GE revisions

b. 43

composition: Op. 23, Ballade in G minor

Long accent in A (→FE), literal reading

Short accent in A (contextual interpretation) & GE

Vertical accent in EE

..

In this place, the accent of A is clearly longer than the remaining ones, which was even reproduced by FE. In spite of that, in the main text we suggest a short accent, since we assume that an accidental inaccuracy is more likely. The vertical accent of EE is an arbitrary change, compliant with the manner of that edition – cf. b. 41-43.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents , EE revisions , Inaccuracies in GE , Inaccuracies in A

b. 44

composition: Op. 23, Ballade in G minor

Accent under L.H. in A

2 short accents between staves in FE (→GE,EE)

2 long accents suggested by the editors

..

The two accents in FE must have resulted from Chopin's proofreading; apparently, he decided to homogenise the markings in b. 44 and 46. Taking into account the fact that the accents of A in b. 46 are clearly long, which, however, were reproduced by FE as short, we assume that it is also in b. 44 that Chopin most probably wanted to have long accents; this is the solution we adopt in the main text.

category imprint: Differences between sources; Editorial revisions; Corrections & alterations

issues: Long accents , Inaccuracies in FE , Authentic corrections of FE

b. 46

composition: Op. 23, Ballade in G minor

Long accents in A

Short accents in FE (→GE,EE)

..

It was typical of the first editions to shorten Chopinesque long accents (which is, of course, inaccurate).

category imprint: Differences between sources

issues: Long accents , Inaccuracies in FE

b. 48-51

composition: Op. 23, Ballade in G minor

Short & 3 long accents in A, literal reading

4 long accents in A, contextual interpretation

4 short accents in FE (→GE,EE)

..

Three out of four L.H. accents in the middle of each of these bars must be long accents – it is only the one in b. 48 that may be questionable. Upon seeing a mark that he could easily identify as a common short accent, the engraver of FE (→GE,EE) provided all four marks with such a form.

category imprint: Differences between sources

issues: Long accents , Inaccuracies in FE , Inaccuracies in A