b. 43
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composition: Op. 23, Ballade in G minor
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The absence of the slur in FE (→GE,EE) must be an oversight of the engraver of FE – in A, the mark blends into the stave, hence it is poorly visible; moreover, its meaning may be vague due to its flat shape. category imprint: Differences between sources issues: Errors in FE |
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b. 43
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composition: Op. 23, Ballade in G minor
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In this place, the accent of A is clearly longer than the remaining ones, which was even reproduced by FE. In spite of that, in the main text we suggest a short accent, since we assume that an accidental inaccuracy is more likely. The vertical accent of EE is an arbitrary change, compliant with the manner of that edition – cf. b. 41-43. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE , Inaccuracies in A |
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b. 44
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composition: Op. 23, Ballade in G minor
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The two accents in FE must have resulted from Chopin's proofreading; apparently, he decided to homogenise the markings in b. 44 and 46. Taking into account the fact that the accents of A in b. 46 are clearly long, which, however, were reproduced by FE as short, we assume that it is also in b. 44 that Chopin most probably wanted to have long accents; this is the solution we adopt in the main text. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Long accents , Inaccuracies in FE , Authentic corrections of FE |
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b. 44-45
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composition: Op. 23, Ballade in G minor
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The missing second slur in GE1a and both slurs in GE2 (→GE3→GE4) must be errors of the engravers. The mistake committed in GE2 is a side effect of re-engraving this bar, on the edge of the page, due to the wear and tear of printing materials (engraving plates). In A, the second slur is clearly led to the beginning of b. 45; however, in FE (→GE1,EE), the ending of that slur does not reach that far. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Errors in GE , Uncertain slur continuation |
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b. 44
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composition: Op. 23, Ballade in G minor
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According to us, the missing slur over the e-d motif may be attributed to graphical difficulties – due to the layout of A, entering a slur would be associated with a risk of reducing the legibility of notation. On the other hand, Chopin could have considered the slur in b. 46 necessary to separate the parts of both hands, which was unobvious in the authentic layout. Taking into account the above, in the main text we suggest adding a slur in b. 44 in a variant form. category imprint: Editorial revisions |