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b. 5-6
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composition: Op. 24 No. 3, Mazurka in A♭ major
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category imprint: Differences between sources |
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b. 5-9
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composition: Op. 24 No. 3, Mazurka in A♭ major
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Chopin replaced the category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , Placement of markings |
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b. 5-6
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composition: Op. 24 No. 3, Mazurka in A♭ major
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Here and in analogous bars 9-10 our main text repeats the slurring of A (→GE→FE→EE). However, in the editors' opinion it is possible that a longer slur in AI better reflects Chopin's idea of articulation and phrasing in these places. This is supported by the comparison with analogous bars 29-30 & 33-34, where A has slurs corresponding just to the notation of AI. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Triplet slurs |
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b. 5
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composition: Op. 24 No. 3, Mazurka in A♭ major
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A has no pedal release mark in this bar. A comparison with the concurrent version in all analogous bars (9, 29 & 33) lets us regard this lack as a mistake. In the main text, in keeping with the A notation in these bars we supplement the
The mark's placement in AI is not quite clear— category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: GE revisions , Errors of A , Authentic corrections of GE |
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b. 6-7
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In A (→GE→FE→EE) the slurs begins from a flat1 in bar 6 and we rely on that logical notation in our main text. In AI the beginning of that slur is unclear - the beginning is bar 6 is missing. category imprint: Differences between sources issues: Inaccurate slurs in A |