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b. 35-36
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composition: Op. 24 No. 3, Mazurka in A♭ major
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Slurs in the sources are consistent and unequivocal (only an earlier beginning of a slur in A could be considered). However, because slurs in AI and A are practically identical in bars 33-35, it is possible to regard slurs in this fragment in A as written by Chopin with less attention. Our alternative suggestion takes account of a comparison with A notation in analogous bars 11-12, where the slur reaches the e category imprint: Interpretations within context; Differences between sources |
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b. 35
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In A (→GE→FE→EE) Chopin decided not to have the staccato dots in bar 35. Those dots had been earlier written in AI in bar 11, of which bar 35 is a repetition in AI. See bar 11. category imprint: Differences between sources |
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b. 36-38
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composition: Op. 24 No. 3, Mazurka in A♭ major
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A has the asterisks category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Placement of markings , EE inaccuracies |
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b. 36
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composition: Op. 24 No. 3, Mazurka in A♭ major
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AI has no dolcissimo marking. In FE, and even more in EE the indication is shifted toward the beginning of the bar. category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies |
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b. 36
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composition: Op. 24 No. 3, Mazurka in A♭ major
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The first editions have a staccato dot instead of a wedge written in A. Such an inaccuracy is characteristic of GE (→FE→EE) throughout the entire Mazurka. AI does not have any mark here. category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |