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b. 33

composition: Op. 24 No. 3, Mazurka in A♭ major

No staccato sign in A (→GE1)

A wedge in AI and FE (→EE)

A dot in GE2

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions , Authentic corrections of FE , Wedges

b. 33

composition: Op. 24 No. 3, Mazurka in A♭ major

in AI and GE1 (→FEEE); possible reading of GE2

in A

GE2, literal reading

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 33

composition: Op. 24 No. 3, Mazurka in A♭ major

Slurs in A, literal reading

Slurs in AI, contextual interpretation of A

Slur in GE1 (→FE)

Slur in EE

Slur in GE2

..

Read literaly, the slur in A begins under the last note of the triplet. The notation in AI in that bar (= bar 9), and the script of the both autographs in the analogous bar 29 convince that this is an inaccuracy of notation due to the position of the accent on the 2nd beat. GE (→FE) already interpreted it that way repeating a longer slur from the analogous bar 29 (with similar imprecision, and also omitting a 'triplet' slur). EE shifted the beginning of the slur to under the grace note what certainly is mistaken.

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources

issues: Inaccurate slurs in A

b. 34

composition: Op. 24 No. 3, Mazurka in A♭ major

The rhythm in AI

The rhythm in A (→GEFEEE)

category imprint: Differences between sources

issues: Chopin's hesitations

b. 34

composition: Op. 24 No. 3, Mazurka in A♭ major

Staccato sign not found in AI or GE1 (→FEEE)

A wedge in A

A dot in GE2

..

GE1 (→FEEE) has no wedge for e flat1. That oversight of GE1 was corrected in GE2. The wedge is also missing in AI. We base our main text on A.

category imprint: Differences between sources

issues: Errors in FE , Errors in EE , Errors in GE , Wedges