Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 28 No. 18, Prelude in F minor
Sources
- Autograph
- Fontana's copy
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz Copy
- Stirling copy
- Scherbatoff copy
- German edition
- First German edition
- Revised impression of GE1
- Corrected impression of GE2
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE1a
EE1 - First English edition
| Publisher: | Wessel & Co. |
| Date: | I 1840 |
| Plate number: | (W & Co. No. 3099.) |
| Title: | Twenty four Grand Préludes through all Keys |
| Dedication: | His Friend Camille Pleyel |
First English edition in which the whole Op. 28 was divided into two fascicules bearing consecutive plate numbers (3098 & 3099), and containing respectively 14 and 10 preludes. EE1 is based on FE2, with some arbitrary revisions – see Prelude C no. 1. Chopin had no part in preparing the edition.
In the Prelude in F minor, flats restoring e
(1) at the end of b. 8 and naturals determining the sound of the last semiquaver in b. 12 as d(1) were added. Also added was an erroneous 
raising d2 to d2 in b. 3 (this was probably meant to be a cautionary 
). Few other mistakes were committed as well – slurs in bars 1-2 (over the pairs of chords) and in the 2nd half of bar 15.
The horizontal accents in b. 16 having been replaced with vertical ones is a revision typical of EE.
| Original in: | Pierpont Morgan Library, New York |
| Shelf-mark: | Fuld |