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Op. 43, Tarantella

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Rhythm

b. 4

composition: Op. 43, Tarantella

GE2 (→GE3→GE4)

A, FC3 (→FE→IE), EE, GE1
..

In A, FC3 (→FE→IE), EE and GE1 there is no extending dot on minim c1 on the first beat of RH but the dot apears upon the theme’s repetition in corresponding b. 180, which allows us to assume with great probability that b.4 is inaccurate. The relevant revision was already made in GE2 (→GE3→GE4).

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category imprint: Interpretations within context; Differences between sources

issues: Rhythmic errors , Errors of A

b. 6

composition: Op. 43, Tarantella

A, FC3 (→FE→IE), EE, GE1 (→GE2)

GE3 (→GE4)
..

In GE3 ( →GE4) c1 was arbitrarily augmented to the length of a dotted crotchet. 

 

In # GE1 (→GE2→GE3) from unknown source there apears an unjustified cautionary  mark before g1.

 

Similar text variants appear in b. 14.

 
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category imprint: Interpretations within context; Differences between sources

issues: GE revisions

b. 12

composition: Op. 43, Tarantella

GE2 (→GE3→GE4)

A, FC3 (→FE→IE), EE, GE1
..

In A, FC3 (→FE→IE), EE minim c1 is not dotted. In the main text we present the dotted variant. Compare annotation in b. 4.

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category imprint: Differences between sources

issues: Rhythmic errors , Errors of A

b. 14

composition: Op. 43, Tarantella

A, FC3 (→FE→IE), EE, GE1 (→GE2→GE3)
 
..

In GE4 c1 was arbitrarily augmented to a dotted crotchet.

 

In GE1 (→GE2→GE3) there appears a redundant cautionary  mark of unknown origin before g1.

 

Compare b. 6.

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category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 24

composition: Op. 43, Tarantella

..

In A there is no dot increasing the length of the note c1. In this context it has to be regarded as an inaccuracy. Similarily in bar 40.

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category imprint: Interpretations within context; Differences between sources

issues: Cautionary accidentals