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Op. 43, Tarantella

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b. 91

composition: Op. 43, Tarantella

FC3 (→FE→IE), EE, GE

A
..

In A in the middle voice c1 crotchet is not dotted. The tie extending this note over to the next bar is most probably notated at the beginning of the next bar, which may be indicated by the burnt edge of the manuscript's next page. The ties's presence in FC3 and other sources suggests it is most probably notated in A as well.

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category imprint: Differences between sources

b. 92

composition: Op. 43, Tarantella

A, FE (→IE), EE, GE

FC3
..

In FC3 d1 crotchet is not dotted. Following the notation in EE and GE4 we add cautionary  before that note.

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category imprint: Interpretations within context; Differences between sources

issues: Cautionary accidentals

b. 100

composition: Op. 43, Tarantella

A, FC3 (→FE), EE, GE

IE
..

In IE crotchet c1 in RH on the second beat is not dotted.

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category imprint: Differences between sources

b. 107

composition: Op. 43, Tarantella

FC3 (→FE), EE, GE

A

IE
..

In A in the middle voice c1 crotchet is not dotted. The tie extending this note over to the next bar is most probably notated at the beginning of the next bar, which may be indicated by the burnt edge of the manuscript's next page. The ties's presence in FC3 and other sources suggests it is most probably notated in A as well. In IE the tie is only missing in the repetition in b. 107, which indicates most certainly the engraver's omission.

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category imprint: Differences between sources

b. 108

composition: Op. 43, Tarantella

A, FC3 (→FE→IE), GE

EE
..

In EE crotchet c1 in RH is not dotted. 

We add cautionary  on that note.

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category imprint: Differences between sources

issues: EE inaccuracies