mUltimate Chopin

Op. 43, Tarantella

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Page: 
Source: 
p. 1, b. 1-27
p. 1, b. 1-27
p. 2, b. 28-57
p. 3, b. 58-87
p. 4, b. 88-117
p. 5, b. 118-147
p. 6, b. 148-178
p. 7, b. 179-208
p. 8, b. 209-239
p. 9, b. 240-270
Main text
Main text
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC3 - Third Fontana's Copy
FE - French Edition
FE1 - First French edition
FED - Dubois copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - First English edition
IE - First Italian edition
Importance
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Important
Main
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copy link PDF Main text

  b. 6

A, FC3 (→FE→IE), EE, GE1 (→GE2)

GE3 (→GE4)

In GE3 ( →GE4) c1 was arbitrarily augmented to the length of a dotted crotchet. 

 

In # GE1 (→GE2→GE3) from unknown source there apears an unjustified cautionary  mark before g1.

 

Similar text variants appear in b. 14.

 

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: GE revisions

notation: Rhythm