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b. 124

composition: Op. 43, Tarantella

A, FC3, EE, GE

..

In FE an additional stem for crotchet fin LH must have been mistakenly omitted. In IE, based on FE the augmentation dot unnecessarily extending the quaver was left out.

category imprint: Differences between sources

issues: Inaccuracies in FE

b. 124

composition: Op. 43, Tarantella

FC3 (→FEIE), EE, GE

..

In A crotchet a2 in RH is not dotted. Compare annotation in b. 4.

category imprint: Differences between sources

b. 130

composition: Op. 43, Tarantella

FC3 (→FEIE), GE

..

In A in LH is not dotted. In EE this note is notated as a quaver only. Compare annotation in b. 4.

category imprint: Differences between sources

issues: EE inaccuracies

b. 132

composition: Op. 43, Tarantella

A, GE1 (→GE2GE3)

..

In FC3 (→FEIE), EE in the middle voice, instead of dotted c minim, there are two dotted crotchets. However, in FE the second crotchet is not dotted and in EE the crotchets are tied. In GE4 we see a combination of the two forst versions - dotted minim on the first beat and dotted crotchet on the second beat.

The variant with two crotchets, identical with corresponding bars 84 and 100 may be viewed as the Chopin's edit in [FC2] (→FC3) or copyist's error (bars 133-147 in A are marked in an abbreviated form as the repetition of bars 85-99, and smilarly bars 110-115 are not written out; therefore it may well have been the case that when copying Tarantella for the second time the copyist began rewriting the phrase from its beginning and did not notice a slight difference in the second voice). 

category imprint: Differences between sources

b. 132

composition: Op. 43, Tarantella

FE (→IE), EE, GE

..

In A and FC3 there is no augmentation dot on g1 in RH.

category imprint: Differences between sources