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Op. 43, Tarantella

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Rhythm

b. 25

composition: Op. 43, Tarantella

A, FC3 (→FE→IE), GE

EE
..

In the second half of the bar all sources except EE have a crotchet and quaver e in L.H. In EE there is a dotted crotched (and no quaver), which most probably is an editorial revision of the error made by the copyist who omitted the quaver.

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category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FC

b. 31

composition: Op. 43, Tarantella

FC3 (→FE→IE), EE, GE

A
..

In A the last note of the LH part is not dotted. In the copies and  subsequent editions this omission was supplemented. Compare annotation in b. 4.

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category imprint: Interpretations within context; Differences between sources

issues: Rhythmic errors , Errors of A

b. 32

composition: Op. 43, Tarantella

GE4

A, FC3, (→FE→IE), EE, GE1 (→GE2→GE3)
..

In all sources except GE4 the crotchet beginning the second half of the bar in RH is not dotted. It may have resulted from inaccurate notation in A. Compare annotation in b. 4.

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category imprint: Differences between sources

issues: Rhythmic errors , Errors of A

b. 40

composition: Op. 43, Tarantella

..

In A and FC3 c1 is not dotted (inaccuracy).

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category imprint: Interpretations within context; Differences between sources

issues: Cautionary accidentals , Rhythmic errors , Errors of A

b. 47

composition: Op. 43, Tarantella

..

In A the last note in the bar in the LH part is not dotted. In the copies and subsequent editions the augmentation dot was supplemented. 

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category imprint: Differences between sources

issues: Rhythmic errors , Errors of A