Slurs
|
b. 59
|
composition: Op. 43, Tarantella
..
category imprint: Differences between sources; Editorial revisions issues: GE revisions |
|||||
|
b. 63
|
composition: Op. 43, Tarantella
..
In FC3 (→FE→IE) and EE bars 59-67 fall under one slur. Based on GE we present the version with a breath in b.63. In A slurring in this bar is illegible due to the partly burnt manuscript, however, it may be assumed with some certainty that here Chopin did exactly what he did in b. 55. category imprint: Differences between sources issues: GE revisions |
|||||
|
b. 71-72
|
composition: Op. 43, Tarantella
..
In EE the slur over the progression in LH extends over the first chord of b. 80. In GE the slur in LH extends over the end of the first beat of b. 72. Both variants may well be the arbitrary editiorial revisions. We see a similar situation at the slur end in bars 76-79. category imprint: Differences between sources |
|||||
|
b. 72-76
|
composition: Op. 43, Tarantella
..
In A, FC3 (→FE→IE) and GE the slur extends over the chromatic scale in the RH part to the first half of b.76. No slur in EE may well be the copyist's or engraver's omission. category imprint: Differences between sources issues: Errors in EE |
|||||
|
b. 72-75
|
composition: Op. 43, Tarantella
..
In GE4 in bars 72-75 every chord in the LH part is conncted with the following e category imprint: Differences between sources issues: GE revisions |
1 in RH was arbitrarily added.
