mUltimate Chopin

Op. 43, Tarantella

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Slurs

b. 40

composition: Op. 43, Tarantella

A, FC3 (→FE), EE, GE

IE
..

In IE the slurs connecting the first and second half of the bar in RH were added arbitrarily. 

category imprint: Differences between sources; Editorial revisions

b. 48

composition: Op. 43, Tarantella

A, FC3 (→FE→IE), EE

GE
..

In GE the slur begins on the first beat of the bar. This may have resulted from an inaccurate notation of slurs in the copy-text of this edition. Compare annotation in bars 7-8. 

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in GE , Inaccuracies in FC

b. 50-51

composition: Op. 43, Tarantella

GE2 (→GE3→GE4)
..

In GE2 (→GE3→GE4) there is an arbitrarily notated slur connecting d1 in b. 50 with c1 in the following bar.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 55-56

composition: Op. 43, Tarantella

Variant proposed by us

A, FC3 (→FE→IE), EE, GE
..

In all sources the whole phrase of bars 51-59 is under one slur. In the main text we present a version with a more natural breath in between the pharse's parts. 

category imprint: Differences between sources; Editorial revisions

b. 58-59

composition: Op. 43, Tarantella

A, FC3, EE, GE 

FE (→IE)
..

In all sources except FE (→IE) the slur over the phrase ends on the first note of b. 59. In FE (→IE) the slur ends at the end of b. 58. This must be an inaccuracy as in the corresponding b. 67 the slur extends over to the first note of the bar.

category imprint: Differences between sources

issues: Inaccuracies in FE