b. 6-7
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composition: Op. 43, Tarantella
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In A and FC3 the second grouping of quavers in bars 6-7 is marked in short as repetition of the first group. Similarly in bars 14-15. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 7
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composition: Op. 43, Tarantella
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In GE1, most probably due to an inaccuracy there is no diminishing c1 to c1 and g1 to g1 on the second beat of RH. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE |
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b. 7-8
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composition: Op. 43, Tarantella
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Slurs in GE and EE are certainly imprecise. This may have resulted from unclear notation of slurs in Fontana’s copies serving as the basis for these editions (where e.g. b. 7 was the last in the first line of the text. However, the way slurs are noted in A leaves no room for doubt as for Chopin’s intention in this place. category imprint: Differences between sources issues: EE revisions , GE revisions , Inaccuracies in FC |
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b. 8
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composition: Op. 43, Tarantella
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We add cautionary before g and c1 in the middle voice. category imprint: Editorial revisions |
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b. 9-10
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composition: Op. 43, Tarantella category imprint: Differences between sources issues: Errors of FC |