Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pedalling
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Pedalling

b. 237-246

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FEEE)

Pedalling in FC (→GE)

..

In the main text we give the pedalling entered by Chopin into FC (→GE).

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FC

b. 247-248

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FEEE)

One-bar pedalling in FC (→GE)

Two-bar pedalling, our alternative suggestion

..

In the main text we give the pedalling entered by Chopin into FC (→GE). We provide justification for the suggested alternative version in the note to analogous b. 115-116.

category imprint: Differences between sources; Editorial revisions

issues: Authentic corrections of FC

b. 263-264

composition: Op. 31, Scherzo in B♭ minor

 end of bar 264 in A (→FE,FCGE)

 beginning of bar 263 in EE

..

The  asterisk was shifted in EE, probably under the influence of analogous b. 130-132.

category imprint: Differences between sources

issues: EE revisions

b. 326-330

composition: Op. 31, Scherzo in B♭ minor

No pedalling in A

  in bars 328 & 330 in FC (→GE1)

  in bars 326 & 328 in FE (→EE)

3 times   in GE2 (→GE3)

..

A comparison with analogous b. 428-432 proves that the complementary pedalling markings in b. 326, 328 and 330, added by Chopin in FC and FE, are to be considered jointly; the second time Chopin added three pedals in each of the two sources. A proper addition was also introduced in GE2 (→GE3).

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions , Authentic corrections of FE , Authentic corrections of FC

b. 348

composition: Op. 31, Scherzo in B♭ minor

  in A (→FEEE) & GE2 (→GE3)

No markings in FC (→GE1)

..

In the main text we include the   markings written in A (→FEEE). Their absence in FC (→GE1), in which the pedalling of the eight-bar section encompassing this bar (b. 346-357) was also written by Chopin, is, according to us, a result of the composer's inattention (cf. b. 448-459).
In GE2 (→GE3) the pedalling was added on the basis of a comparison with analogous bars.

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Corrections in A , GE revisions , Authentic corrections of FC