Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pedalling
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Pedalling

b. 110-112

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FCGE1)

Pedalling in FE (→EE)

Pedalling in GE2 (→GE3)

..

The pedalling in these bars was added later: undoubtedly by Chopin in the proofreading of FE (→EE). However, one can have doubts whether the intention of Chopin's proof entry was interpreted correctly, since there is no reason to release pedals in the middle of the bar instead of at the end of it, like in all the remaining bars. Consequently, in the main text we give the version of GE2 (→GE3) modelled after the Chopinesque entry in FC in analog. b. 242-244.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in FE , GE revisions , Authentic corrections of FE

b. 115-116

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FCGE1)

One-bar pedalling in FE (→EE) & GE2 (→GE3)

Two-bar pedalling, our alternative suggestion

..

In the main text we give the pedalling added by Chopin in the proofreading of FE (→EE). In accordance with the observations expressed in the note to b. 65-76 on combining the bars based on the same chord with one pedal, one can assume that it was a routine operation of the composer, just like in a few other places, and that he did not consider a longer hold of pedal, more natural in this context. However, since analog. b. 247-248 are also provided with a pedal change, where the pedalling of FC was written independently, we suggest the version with a two-bar pedal only as an acceptable alternative solution.
GE2 (→GE3) added the markings probably on the basis of analog. b. 247-248.  

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 148

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FEEE)

Pedalling in FC (→GE)

..

In the main text we include the pedal change added under these bars in FC (→GE).

category imprint: Differences between sources

issues: Authentic corrections of FC

b. 150-151

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FEEE)

Pedalling in FC (→GE)

..

In the main text we give the pedalling entered by Chopin into FC (→GE) in b. 150-151 and 174-175.

category imprint: Differences between sources

issues: Authentic corrections of FC

b. 171-173

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FEEE)

Pedalling in FC (→GE)

..

In the main text we include the pedalling added by Chopin in b. 172 in FC (→GE). In A one can see a correction of pedalling: the  mark, initially written at the end of the phrase (b. 173), was deleted and written at the end of b. 171. 

category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A , Authentic corrections of FC