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b. 420

composition: Op. 11, Concerto in E minor, Mvt III

No marks in FE

Wedge in GE1 (→GE2)

Staccato dots in EE & GE3

..

The missing staccato dots in the 2nd half of the bar is the last of a few mistakes and inaccuracies committed in FE in this bar. The markings were added in the remaining editions; however, it is only EE and GE3 that added them in accordance with the R.H. part.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 421

composition: Op. 11, Concerto in E minor, Mvt III

..

The cautionary ​​​​​​​ before a1 was probably added in the last phase of proofreading of FE (→EE), since it is absent in GE1 (→GE2). The accidental was added in GE3.

category imprint: Differences between sources

issues: GE revisions , Authentic corrections of FE

b. 424

composition: Op. 11, Concerto in E minor, Mvt III

Slurs from 2nd semiquaver in FE (→GE,EE)

Slurs from first semiquaver suggested by the editors

..

In the main text, we begin the slurs from the 1st semiquaver of the bar, since the first two semiquavers are encompassed with one slur in the three remaining analogous places in the second appearance of this theme (bars 416, 432 and 446). The notation in bars 415-416 is particularly significant, since it emphasises the unity of the tied quaver with the following semiquavers, which is especially meaningful when the entire phrase starts from two staccato quavers.

category imprint: Editorial revisions

b. 428

composition: Op. 11, Concerto in E minor, Mvt III

No marks in FE (→EE)

L.H. staccato dots in GE1 (→GE2)

L.H. & R.H. dots in GE3

Dots on last quaver suggested by the editors

..

A comparison with analogous bars 176, 184 and 420 suggests an oversight of 2 or 4 staccato dots in [A] or FE. In the main text, we add dots only under the last quaver in both hands, after bars 176 and 184, in which, like here, the slurs reach the quaver in the middle of the bar. The additions in GE refer to bar 420, while GE3 also changed the slurs accordingly.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 429

composition: Op. 11, Concerto in E minor, Mvt III

b in FE (→EE) & GE3

d1 in GE1 (→GE2)

..

The version of GE1 (→GE2), distorting the sequence of bass (implemented by cellos and double basses), must be erroneous. However, the traces of proofreading visible in FE prove that it was the engraver of this edition that committed a mistake, yet in GE1 the note was revised by adding an admittedly overlooked ​​​​​​​, while in FE (→EE) it was moved to the right pitch. The correct version was introduced also in GE3.

category imprint: Differences between sources

issues: Terzverschreibung error , GE revisions , Authentic corrections of FE , Errors repeated in GE