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b. 395
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composition: Op. 11, Concerto in E minor, Mvt III
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The meaning of the accent of FE (→EE) placed under a category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , GE revisions |
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b. 395-399
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 396-399
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composition: Op. 11, Concerto in E minor, Mvt III
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The absence of wedges in GE3 seems to be intentional – the marks in these bars could have been considered erroneous, whereas Chopin could have wanted to mark in this way only the final progression (from bar 402). According to us, it is more likely that it is the missing marks in bars 399-402 that are a result of an oversight. category imprint: Differences between sources issues: GE revisions |
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b. 397-398
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: EE revisions |
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b. 398-399
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composition: Op. 11, Concerto in E minor, Mvt III
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Two subsequent slurs starting later than in the adjacent figures must be an inaccuracy of FE, partially repeated in GE1 (→GE2) and EE. In the main text, we move the beginnings of the slurs to over the 1st semiquaver, in accordance with the musical sense and analogous figures. Such a revision was introduced already in GE3. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |