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b. 289
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composition: Op. 11, Concerto in E minor, Mvt III
..
Like in bar 287, we add a slur over the ending of the slur in the main text. category imprint: Editorial revisions |
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b. 292-294
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composition: Op. 11, Concerto in E minor, Mvt III
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Both the length of the majority of the accents and their placement, not over the note, but slightly after it (cf. a typical short accent, e.g. in bar 284), indicate the use of long accents by Chopin. However, in EE and GE3, it is difficult to consider the marks to be long in spite of the fact that their asymmetrical placement was preserved. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 292
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 294-295
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composition: Op. 11, Concerto in E minor, Mvt III
..
In the main text, we correct the minor inaccuracy of the notation of the rhythm in FE (→EE). The missing dot prolonging the e1 quaver in bar 294 could have also contributed to the omission of the tie of that note in GE, although, according to us, it is more likely that the tie was added by Chopin in the last stage of proofreading of FE. The crossing-out of the e1 quaver at the beginning of bar 295 visible in FEH emphasises that the note should not be played again in this place. category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: Annotations in teaching copies , Inaccuracies in FE , Rhythmic errors , Accompaniment changes , Authentic corrections of FE , Annotations in FEH |
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b. 294
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
