Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt III
In this case, the staccato dots added in GE3 are partially justified – this is how three chords in bar 75 (counterpart of bar 303) are marked in FE. The reviser of GE3 was more zealous here than in bars 74-75, in which he left the last quaver in bar 75 without additions.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions
notation: Articulation, Accents, Hairpins
