mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

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b. 479

composition: Op. 11, Concerto in E minor, Mvt III

slur over triplet in FE (→GE,EE)

Longer slur suggested by the editors
..

According to us, it is highly likely that we are dealing here with an inaccurately marked or interpreted slur; therefore, in the main text we give the most natural slur in this context, i.e. encompassing the entire final part of the figuration following the rest.

category imprint: Editorial revisions

b. 479

composition: Op. 11, Concerto in E minor, Mvt III

..

We add a cautionary  before f​​​​​​​2 in the main text.

category imprint: Editorial revisions

b. 480

composition: Op. 11, Concerto in E minor, Mvt III

..

In GE1 (→GE2), the last triplet begins with b2. The structure of the figuration, confirmed by the version of analogous bar 484, points to a Terzverschreibung error. The mistake was rectified in GE3.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , Terzverschreibung error , GE revisions

b. 480

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 480-481

composition: Op. 11, Concerto in E minor, Mvt III

Wedge in FE (→EE)

2 wedges in GE

3 dots suggested by the editors
..

The articulation markings of the first three quavers of this section are most probably inaccurate in FE (→EE). The addition introduced in GE, locally justified, seems to be inaccurate if we look at the eight-bar section, starting here, as a whole, e.g. due to the missing staccato mark over the last quaver in bar 480. In the main text, we unify the markings with the further part of this fragment, in which all quavers are consistently provided with dots.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Wedges