Pitch
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b. 98
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composition: Op. 11, Concerto in E minor, Mvt II category imprint: Differences between sources issues: Annotations in teaching copies , Cautionary accidentals , Annotations in FES |
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b. 101-103
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composition: Op. 11, Concerto in E minor, Mvt II
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In FEH, in 4 places sharps reminding the correct pitch of the grace notes are to be seen. The marks, written by a foreign hand, are present before e category imprint: Source & stylistic information issues: Annotations in teaching copies , Cautionary accidentals , Annotations in FEH |
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b. 103
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composition: Op. 11, Concerto in E minor, Mvt II
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The version of GE is almost certainly a Terzverschreibung mistake, probably committed in FE, in which Chopin, however, corrected it in the last phase of proofreading. Taking into account the traces of corrections, a similar mistake was committed and corrected in FE also in the last figure in the previous bar. category imprint: Differences between sources issues: Terzverschreibung error , Authentic corrections of FE , Errors repeated in GE |
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b. 103
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composition: Op. 11, Concerto in E minor, Mvt II
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In FE (→EE,GE1→GE2), there is no category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Omissions to cancel alteration , GE revisions , Annotations in FES , Errors repeated in GE , Errors repeated in EE , Annotations in FEH |
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b. 106-108
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composition: Op. 11, Concerto in E minor, Mvt II
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There are no cautionary naturals before the penultimate semiquaver in bar 106 and 108. They were most probably added in the last phase of proofreading of FE (→EE). category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
3 on the 4th beat of bar 101, d
restoring b2 in the 2nd group of grace notes and no 
restoring f