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b. 357

composition: Op. 11, Concerto in E minor, Mvt I

..

In FE, the a1-aoctave is erroneously a crotchet. The overlooked quaver flag was added in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors

b. 357-358

composition: Op. 11, Concerto in E minor, Mvt I

Slurs in FE

Slurs in GE1 (→GE2) & EE

Slurs in GE3

Slurs suggested by the editors

..

The slurs of FE are clearly inaccurate and incomplete. Both the beginning of a new slur from the a1-aoctave and the absence of a slur in the 1st half of bar 358 are contrary to the structure of motifs, emphasised by the beaming and instrumentation. Slurs over the ending of the motif in bar 358 were added already in GE and EE, yet the division of the slur in bar 357 was moved only in GE3. In the main text we correct the range of slurs in accordance with the motifs' shape. See also bars 359-360

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions

b. 357-359

composition: Op. 11, Concerto in E minor, Mvt I

..

At the beginning of bars 357 and 359, there are no sharps raising c1 to cin FE (→GE1GE2). This patent inaccuracy – c is present in the previous octave in the R.H., while cis in the orchestral part (violin II) – was corrected in EE and GE3. Sharps were added also in FEH.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Accidentals in different octaves , GE revisions , Annotations in FEH

b. 359-360

composition: Op. 11, Concerto in E minor, Mvt I

Slurs in FE (→EE,GE1GE2)

Slurs in GE3

Slur suggested by the editors

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The interlocking slurs of FE are probably a result of inaccuracies related to, e.g. the transition into a new line in [A] (cf. bars 13-14). The fact of separating them in GE3 adjusted them to the slurs in bars 357-358, probably inauthentic. In the main text, we give one slur, compliant with the motif's structure and confirmed by authentic slurs in analogous bars 358-359 as well as 14-15 and 17-19.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 361-362

composition: Op. 11, Concerto in E minor, Mvt I

 in FE (→GE)

 & cresc. in EE

..

In EE, the characteristic Chopinesque  combination was separated; at the same time, the  mark was moved to bar 362.

category imprint: Differences between sources

issues: EE revisions