b. 338
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→GE), there are sharps (reminding?) before d2 and f2 on the 5th semiquaver of the bar. We remove them in the main text, since both notes (f2 and d3) are present in the previous bar. The marks were removed also in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , Last key signature sign |
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b. 341-344
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in GE , GE revisions , Wedges |
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b. 342-348
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composition: Op. 11, Concerto in E minor, Mvt I
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The musical sense requires that the accents featured in bars 342, 344 and 346-348 concern both hands, which was, however, marked with separate accents in FE only in bars 342 and 347. In GE1 (→GE2), this notation was repeated, except for bar 344, in which the accent (long) was placed between the staves, thus, it applies to both hands. In EE and GE3, accents for the L.H. were added in all the places where they were absent. In the main text, we order and unify the inconsistent and most probably inaccurate notation of FE, placing one accent between the parts of both hands in each of the five places (cf. the notation of marks). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 343
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composition: Op. 11, Concerto in E minor, Mvt I
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FE are devoid of staccato dots under the quavers, which must be regarded as a mistake in this context. The marks were added in GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 344
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a cautionary before g2. The addition was introduced already in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |