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b. 329
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composition: Op. 11, Concerto in E minor, Mvt I
..
In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 329-332
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana suggests the use of the 5-4-3-1- fingers, which is typical of him. Such a fingering corresponds to the hand position, yet it requires independent and strong 3rd and 4th fingers – cf. the Etude in C major, op. 10 no. 1. category imprint: Differences between sources issues: EE revisions |
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b. 333
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE3, the semiquavers in both hands were written in an abbreviated manner as tremolandi. category imprint: Differences between sources issues: GE revisions |
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b. 334-339
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, a double appearance of an identical indication (sempre forte) four bars apart may be a mistake of the engraver, who, apart from the correct place, unnecessarily repeated the indication a line higher or lower. Due to this reason, in the main text, we give the indication in bars 334-335 in a variant form (in brackets), being less justified after the category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 337
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composition: Op. 11, Concerto in E minor, Mvt I
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The slur in EE was most probably added by analogy with the authentic slurs in bars 45 and 47. category imprint: Differences between sources issues: EE revisions |
before the trilled f
3 minim. The mark was added already in 
in the previous bar.
mark.
