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b. 325
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composition: Op. 11, Concerto in E minor, Mvt I
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Frequent changes of accents from horizontal to vertical is one of the characteristic revisions of EE – cf. e.g. bar 320. In this case, vertical accents were consistently introduced also in the next three bars. category imprint: Differences between sources issues: EE revisions |
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b. 325
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE1), there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Cautionary accidentals |
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b. 325
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composition: Op. 11, Concerto in E minor, Mvt I
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Both in EE and FEH, the bar was provided with fingering very carefully, applying the same rule for the top notes of the thirds – the 1st finger on a white key, the 2nd – on a black one (cf. bars 322-324). The fingering of the bottom notes is also very similar – the 3rd finger on a black key and the 4th – on a white one; however, in FEH, the rule is modified when two subsequent white keys appear. As a result, both fingerings differ only in the digit applying to e category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 326-328
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 326
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, the 8th and 10th semiquavers in the R.H. are a b category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions |