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b. 8
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, the distinct dash visible in Atut on the right-hand side of the last chord is a fingering digit (1), referring to the d1-e1 second. Its omission in FE (→GE,EE) is probably a result of misunderstanding this mark (or a simple oversight). In the main text, we add a brace indicating the notes this digit applies to. category imprint: Differences between sources issues: Errors in FE |
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b. 9-10
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest adding a slur after an analogous motif in bars 1-2. category imprint: Editorial revisions |
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b. 11
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composition: Op. 11, Concerto in E minor, Mvt I
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The cautionary natural before c2 was added – probably by Chopin – in a proofreading of FE (→GE,EE). category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 12
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composition: Op. 11, Concerto in E minor, Mvt I
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In the part of the L.H. in Atut, a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Authentic corrections of FE , Inaccuracies in A |
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b. 12
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composition: Op. 11, Concerto in E minor, Mvt I
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Both endings of the carelessly written slur in Atut fall between notes – we interpret them as "embracing," hence concerning only these notes that are actually under the slur. In the main text, however, we adopt the version of FE (→GE,EE), which is uncontroversial, as far as the musical and graphic issues are concerned, and which can also be considered an interpretation of the slur of Atut. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , FE revisions |