mUltimate Chopin

Op. 11, Concerto in E minor, Mvt I

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 432

composition: Op. 11, Concerto in E minor, Mvt I

Slurs from 3rd semiquaver in FE (→EE,GE1→GE2)

Dots & slurs in GE3

Slurs from 1st semiquaver suggested by the editors
..

In the main text, we suggest starting the slurs in both hands from the 1st semiquaver, since in similar places slurs starting from the beginning of semiquaver sequences are more frequent (e.g. in the next bar or in bars 412-413). In GE3, shorter slurs were kept, whereas the first two semiquavers were arbitrarily provided with staccato dots. 

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 432

composition: Op. 11, Concerto in E minor, Mvt I

No marks in FE (→GE1→GE2)

Wedges in EE & GE3

Wedges suggested by the editors
..

In spite of this and a few other minor inaccuracies, the need to perform the quavers opening particular bars staccato ​​​​​​​is unquestionable in the sources. Wedges were added already in EE and GE3.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 432

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→EE,GE1→GE2)

Fingering in GE3
..

The fingering added in GE3 cannot come from Chopin, although its compliance with the Chopinesque fingering cannot be excluded.

category imprint: Differences between sources

issues: GE revisions

b. 432-433

composition: Op. 11, Concerto in E minor, Mvt I

..

The notation of FE (→EE1) is devoid of cautionary accidentals in bar 432. In EE2 (→EE3), a  was added before a1 in the L.H., while in GE, also a  before the first f2 in the R.H. As the sequence is repeated in bar 433, all sources contain a  before f2 in the L.H.; moreover, GE introduced analogous additions to bar 432 – a  before a2 in the L.H. and a  before the 1st f3 in the R.H. In the main text, we include the naturals before a1 and a2 added in GE and add a  before f​​​​​​​1 in the L.H. in bar 432 (after an authentic accidental in the next bar).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals

b. 432-433

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

Fingering written into FEH
..

One of the fingerings given by Fontana may correspond to the Chopinesque fingering; however, it is highly unlikely that those indications could come from Chopin. The authenticity of the entries performed by a foreign hand in FEH is also questionable. 

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH