b. 428
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there are no sharps before the 6th semiquaver in the L.H. (c2) and the middle semiquavers on the 3rd beat of the bar in the R.H. (c3 and d3). All those patent inaccuracies were corrected in GE, whereas in EE it was only the mark in the L.H. that was added. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in EE |
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b. 429
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions |
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b. 429
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composition: Op. 11, Concerto in E minor, Mvt I
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We include the cautionary before b2, added in GE and EE2 (→EE3), in the main text. A respective sign in the L.H., before b1, is present in all sources. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 430-431
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composition: Op. 11, Concerto in E minor, Mvt I
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As in the case of bars 426-427, we consider the gap in the slur to be a possible inaccuracy of notation. category imprint: Editorial revisions |
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b. 430
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there are no accidentals on the 2nd and 3rd beats of the bar in the L.H. In the layout adopted by the majority of the editions, i.e. the first two semiquavers of the R.H. on the bottom stave, both sharps on the 3rd beat of the bar are to be considered necessary. The accidentals were added in GE1 (→GE2); moreover, a was added before c1 at the end of the 2nd group of semiquavers. In EE, a was added before the last notes of the 2nd and 3rd groups. The layout of GE3 corresponds to the one adopted in our system; that edition contains all necessary sharps. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |