b. 410
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composition: Op. 11, Concerto in E minor, Mvt I
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Traces of corrections in print, visible in FE, suggest that it was initially g that was printed as the 1st semiquaver. It could have been a mistake or the original version of the beginning of the passage. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 411-412
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest a slur modelled after a similar passage in bars 434-435. We modify the ending of the slur only, so that it includes a natural piano grip – the 1st finger on the b ending bar 411 results in a natural foothold for the bounce of the hand on the next quaver, marked staccato, whereas the quaver in bar 436 requires a separate hand impulse due to the repeated f. There is a similar situation in bars 415-416. category imprint: Editorial revisions |
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b. 411
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
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b. 411
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composition: Op. 11, Concerto in E minor, Mvt I
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In EE1, there is no octave sign over the 1st beat of the bar. The mistake was corrected in subsequent impressions of EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
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b. 411
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |