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b. 410

composition: Op. 11, Concerto in E minor, Mvt I

..

Traces of corrections in print, visible in FE, suggest that it was initially g​​​​​​​ that was printed as the 1st semiquaver. It could have been a mistake or the original version of the beginning of the passage.

category imprint: Corrections & alterations; Source & stylistic information

issues: Authentic corrections of FE

b. 411-412

composition: Op. 11, Concerto in E minor, Mvt I

No slur in sources

Slur suggested by the editors

..

In the main text, we suggest a slur modelled after a similar passage in bars 434-435. We modify the ending of the slur only, so that it includes a natural piano grip – the 1st finger on the b ending bar 411 results in a natural foothold for the bounce of the hand on the next quaver, marked staccato, whereas the quaver in bar 436 requires a separate hand impulse due to the repeated f​​​​​​​. There is a similar situation in bars 415-416.

category imprint: Editorial revisions

b. 411

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 411

composition: Op. 11, Concerto in E minor, Mvt I

..

In EE1, there is no octave sign over the 1st beat of the bar. The mistake was corrected in subsequent impressions of EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in EE

b. 411

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH