



b. 410
|
composition: Op. 11, Concerto in E minor, Mvt I
..
Traces of corrections in print, visible in FE, suggest that it was initially g category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
|||||
b. 411-412
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In the main text, we suggest a slur modelled after a similar passage in bars 434-435. We modify the ending of the slur only, so that it includes a natural piano grip – the 1st finger on the b ending bar 411 results in a natural foothold for the bounce of the hand on the next quaver, marked staccato, whereas the quaver in bar 436 requires a separate hand impulse due to the repeated f category imprint: Editorial revisions |
|||||
b. 411
|
composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
|||||
b. 411
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In EE1, there is no octave sign over the 1st beat of the bar. The mistake was corrected in subsequent impressions of EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
|||||
b. 411
|
composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |