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b. 408-409
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingerings of EE and FEH differ at the beginning of the sequence, yet in the further part, one of Fontana's fingerings is most probably compliant with the entry in FEH. It is difficult to say whether and to what an extent one of these fingerings comes from Chopin. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |
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b. 408-409
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE3, in all bar 408 and analog. and 412 and analog., the initial pair of semiquavers, in both hands, was arbitrarily provided with staccato dots. In the places where the marks would fall under the slur, the beginning of the slur was moved to over the 3rd semiquaver. We include these dots in the notes on slurs. category imprint: Differences between sources issues: GE revisions |
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b. 409
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composition: Op. 11, Concerto in E minor, Mvt I
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A repetition of the reminding (?) category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 409
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a cautionary category imprint: Editorial revisions |
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b. 409
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there are no accidentals before the top note of the fifth and last fourth. In EE, a category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |