Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt I
In the main text, we suggest a slur modelled after a similar passage in bars 434-435. We modify the ending of the slur only, so that it includes a natural piano grip – the 1st finger on the b ending bar 411 results in a natural foothold for the bounce of the hand on the next quaver, marked staccato, whereas the quaver in bar 436 requires a separate hand impulse due to the repeated f. There is a similar situation in bars 415-416.
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category imprint: Editorial revisions
notation: Slurs