b. 267-271
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composition: Op. 11, Concerto in E minor, Mvt I
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The original, then corrected, most probably by Chopin, notation of the first note in bar 267 and following: . category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 269
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composition: Op. 11, Concerto in E minor, Mvt I
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The mark written in FED underlines the significance of the rest and, consequently, it suggests the need to emphasise the syncopation as the beginning of a new motif of a probably different emotional nature. category imprint: Source & stylistic information |
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b. 269-270
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composition: Op. 11, Concerto in E minor, Mvt I
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Interpretation of the mark of FE (→EE) is unclear. When interpreted literally, it is a short accent under a tied note, which does not make sense on the piano. According to us, the course of music suggests a long accent on the syncopated g1-g2 octave as the most likely interpretation of this mark. Alternatively, one could also consider it a diminuendo mark, like it was performed in GE3. The presentation autograph of the Etude in A minor, op. 10 no. 2 abounds in marks of a not very clear meaning resembling short or long accents. Some of them almost certainly denote long accents, which substantiates such an interpretation. See also the adjacent note. category imprint: Interpretations within context; Editorial revisions issues: Long accents , Inaccuracies in GE , GE revisions |
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b. 269
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composition: Op. 11, Concerto in E minor, Mvt I
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category imprint: Differences between sources issues: EE revisions |
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b. 270
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a cautionary before B. The mark was added already in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |