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b. 255
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we include the characteristic Chopinesque indication, requiring the grace note to be performed simultaneously with the corresponding note in the L.H.
See the Nocturne in D category imprint: Differences between sources |
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b. 255
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composition: Op. 11, Concerto in E minor, Mvt I
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The slashed grace note in GE is most probably a revision or maybe an inaccuracy. In the main text, we preserve the notation of FE (→EE), which is probably authentic. There is a similar situation in bar 257. category imprint: Differences between sources issues: GE revisions |
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b. 257-263
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composition: Op. 11, Concerto in E minor, Mvt I
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The original, then corrected, probably by Chopin, notation of the first note in bar 257 and of the following ones: category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 257
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composition: Op. 11, Concerto in E minor, Mvt I
..
Like in bar 255, in the main text we give a long grace note on the basis of FE (→EE). The slashed grace note in GE is either an inaccuracy or routine revision. category imprint: Differences between sources issues: GE revisions |
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b. 257
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Differences between sources issues: EE revisions |
major, op. 27, no. 2, 
. Similar changes were introduced in bars 
