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b. 261
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composition: Op. 11, Concerto in E minor, Mvt I
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A later beginning of the slur in GE3 is an arbitrary revision, introduced most probably on the basis of the inaccurate beginning of the slur of GE in bar 263. category imprint: Differences between sources issues: GE revisions |
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b. 261-264
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composition: Op. 11, Concerto in E minor, Mvt I
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The absence of the bottom slurs in GE most probably means that they were added by Chopin in the last proofreading of FE (→EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 263-265
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we include the correction of the phrasing written by Chopin in FED, which we consider rather a proofreading of the erroneously interpreted slur of [A] than a change of the slurring's concept. At the same time, we interpret the fact of the slurs coinciding at the beginning of bar 264, which could also reproduce the notation of [A] inaccurately, as a continuous slur, like it was written in the first element of the progression (bars 239-240). Both in GE1 (→GE2) and GE3, the shorter slur over bar 263 seems to be an inaccuracy. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE |
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b. 263-264
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing slurs over the accompanying quaver figures must be considered to be an inaccuracy in this context. The slurs were added in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 266-271
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana's fingering in bars 266-268 and 270-271 draws attention to combining legato the second bass motifs at the transitions between the bars. category imprint: Differences between sources issues: EE revisions |
