b. 272
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE1 (→GE2), there is no before the second quaver. It must be a mistake – between two bars based on the same four-note diminished chord containing g, a possible g would require a cautionary , not to mention the tied g in violin II. It was most probably [A] that was the source of the mistake, since the in FE was added only just in print. The mark was added in GE3. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Authentic corrections of FE , Errors repeated in GE |
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b. 272-273
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we include the change of fingers, written by Chopin in FED. The fingering of EE actually does not exclude the use of this procedure, yet it seems to be highly unlikely that Fontana would not have marked such a characteristic fingering if he had taken it into account. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering |
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b. 275
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composition: Op. 11, Concerto in E minor, Mvt I
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When interpreted literally, the mark in FE falls on a rest. This inaccuracy is most probably a result of a too literal reproduction of the notation of [A], in which Chopin could have not had enough space to write the mark between the bottom stave and the b semiquaver. In the main text, we assume, in accordance with GE and EE, that the mark concerns the beginning of the 2nd beat of the bar. The absence of in GE is most probably an oversight. category imprint: Graphic ambiguousness issues: Inaccuracies in FE , Errors in GE |
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b. 275
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing dot must be an oversight of GE3 – in the previous GE, the dot is hardly noticeable within the 'P' letter in the mark. category imprint: Differences between sources issues: Errors in GE |
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b. 275
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composition: Op. 11, Concerto in E minor, Mvt I
..
The a tempo indication added in GE3, in spite of its evident accuracy, certainly does not come from Chopin. category imprint: Differences between sources issues: GE revisions |