Slurs
b. 16
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composition: Op. 27 No 2, Nocturne in D♭ major
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In EE, this bar opens a new page. The addition of slurs in the left hand was probably meant to remind the performer about the authentic markings given in bar 1 as a model for the entire Nocturne. category imprint: Differences between sources issues: EE revisions |
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b. 18
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composition: Op. 27 No 2, Nocturne in D♭ major
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That slur in A is placed at a certain distance from the notes and obscured with the indication con forza. That is why the engraver of GE could overlook it or even consider it deleted. category imprint: Differences between sources issues: Errors in GE |
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b. 19-20
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composition: Op. 27 No 2, Nocturne in D♭ major category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 19-20
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composition: Op. 27 No 2, Nocturne in D♭ major
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The slur in A is written with a large stroke, but its extent is doubtless. The fact that the engraver of GE interpreted it as covering the whole bar, not a motif, is a glaring example of the manner adopted for manuscript reading in GE (see the characteristics of that edition). category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 21
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources issues: Inaccuracies in GE |