b. 112
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composition: Op. 16, Rondo in E♭ major
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One can ponder whether the slur was misinterpreted in the sources. The eight-bar section starting in this bar appears five more times throughout the entire Rondo, whereas the slur starts from the beginning of the bar only once (bar 136). Due to this reason, we suggest an alternative solution, referring to bars 120 and 272. category imprint: Editorial revisions |
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b. 113-114
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composition: Op. 16, Rondo in E♭ major
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In GE, the hairpin ends just behind the bar line. It is an inaccuracy of the engraver. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 115
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composition: Op. 16, Rondo in E♭ major
category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , EE inaccuracies |
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b. 117
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composition: Op. 16, Rondo in E♭ major
..
The fact that the slurs coincide in this place could have meant that Chopin wanted to combine them – cf. bars 276-277. However, in the main text we leave the source notation, since it is practically equivalent, whereas overlapping slurs in similar places appear also in bars 141, 269 and 293, which significantly reduces the likelihood that they were misinterpreted. category imprint: Source & stylistic information |
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b. 118
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composition: Op. 16, Rondo in E♭ major
..
In GE, there is no ending of the slur in the L.H. on a new line. It is a mistake of the engraver. category imprint: Differences between sources issues: Errors in GE |