b. 98-99
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composition: Op. 16, Rondo in E♭ major
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In the main text, we reproduce the hairpin of FE, probably conveying Chopin's notation in [A] in the most faithful manner. Both GE and EE slightly shortened the mark, shifting its beginning under the first note in bar 99. category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 99
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composition: Op. 16, Rondo in E♭ major
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c2 as the last semiquaver in FE (→GE1,EE) is most probably a mistake – cf. analogous bar 251. It is confirmed by the Chopinesque correction performed in pencil in FEJ. In turn, the reviser of GE2 removed the harmonic inconsistency with the L.H. part, yet he did not take into account the melodic structure of the figuration. category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Errors in EE , Errors in GE , Terzverschreibung error , Annotations in FEJ |
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b. 99
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composition: Op. 16, Rondo in E♭ major
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An accent appears in an identical context in bar 251. According to us, it is not supposed to suggest a different performance; it is simply a result of a more precise marking of that bar. Due to this reason, in the main text we suggest an accent also here. category imprint: Editorial revisions |
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b. 99
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composition: Op. 16, Rondo in E♭ major
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We add a cautionary before d2 in the main text. category imprint: Editorial revisions |
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b. 102
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composition: Op. 16, Rondo in E♭ major
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We add cautionary naturals before c2, f2 and c1-f1 in the main text. category imprint: Editorial revisions |