Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 16, Rondo in E♭ major
The fact that the slurs coincide in this place could have meant that Chopin wanted to combine them – cf. bars 276-277. However, in the main text we leave the source notation, since it is practically equivalent, whereas overlapping slurs in similar places appear also in bars 141, 269 and 293, which significantly reduces the likelihood that they were misinterpreted.
Compare the passage in the sources »
category imprint: Source & stylistic information
notation: Slurs