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b. 87
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composition: Op. 21, Concerto in F minor, Mvt II
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The category imprint: Differences between sources |
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b. 87
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composition: Op. 21, Concerto in F minor, Mvt II
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The missing e category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 87
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composition: Op. 21, Concerto in F minor, Mvt II
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In GE1, particularly in later copies, one can see clear traces of correcting the slurs in the R.H. in the 2nd half of the bar – initially, the slur started (contrary to A) already on the 3rd beat of the bar. Apart from the trace of the original slur, one can also see distortions of the wavy line of the arpeggio, which suggests that the proofreading could have also embraced the upper part of the last chord. category imprint: Corrections & alterations; Source & stylistic information issues: Errors in GE , Authentic corrections of GE , Corrected slurs of Op. 21 in GE1 |
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b. 88
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composition: Op. 21, Concerto in F minor, Mvt II
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No pedalling on the 4th beat of the bar is most probably a result of Chopin's distraction – the notation of pedalling stops in A on the category imprint: Differences between sources issues: GE revisions , No pedal release mark , Inaccuracies in A |
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b. 88
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composition: Op. 21, Concerto in F minor, Mvt II category imprint: Differences between sources issues: Errors in GE , GE revisions |
indication written in 
2 in chord in 
in 
sign in the middle of the bar, perhaps due to lack of ink; after returning to writing, the composer could have been occupied with another issue. In a very similar context in bar 20, the pedalling – pedal on each beat of the bar – is written in the entire bar. The addition of 
