Issues : Annotations in teaching copies
b. 1
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text we include the slur for the L.H. added in a proofreading of GE – cf. an analogous slur in A in bars 91-92 – even though it is not entirely certain whether it was added by Chopin. The undoubtedly erroneously shortened slur in the R.H. in FE made the reviser of EE perform a similar change in the part of the L.H. The mistake of FE was corrected with an entry in FED, performed in pencil. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Authentic corrections of GE |
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b. 1
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composition: Op. 21, Concerto in F minor, Mvt II
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The absence of a dynamic indication is most probably an oversight of the engraver of FE. The addition of in EE was performed probably on the basis of a comparison with bar 91. In turn, the indication written in FES, in spite of the fact that there are no reasons to question its authenticity, is, however, most probably only an ad hoc lesson comment, correcting the absence of the dynamic indication in FE. Therefore, we do not consider it to be an expression of a general change of the dynamic concept of this introduction. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FES , Authentic post-publication changes and variants |
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b. 6
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composition: Op. 21, Concerto in F minor, Mvt II
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The fingering digit, written with a quill pen most probably by a pupil, was probably added in place of an entry written in pencil by Chopin. category imprint: Differences between sources |
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b. 7-9
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composition: Op. 21, Concerto in F minor, Mvt II
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Characteristic synchronisation signs of the parts of both hands, in the form of lines combining the notes that are supposed to be played simultaneously, were added next to the groups of small notes in bars 7 and 9 in FED. Similarly in bars 26 and 75. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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b. 7
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composition: Op. 21, Concerto in F minor, Mvt II
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The fingering above the trill, written in FED most probably by Chopin, is a simplified notation, generally indicating the fingers with which the trill is to be played. It absolutely does not mean that the e3 note is to be repeated after d3 at the beginning of the trill. One can see another sign in this copy, which may be a fingering digit: the dash under the first d3 grace note may be considered a one. However, such an interpretation carries a risk of uncertainty, therefore, we do not include it in the main text. category imprint: Graphic ambiguousness; Differences between sources |