A
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 88

No pedal markings in A & GE2

 in GE1 (→FEEE)

Supplement suggested by the editors

No pedalling on the 4th beat of the bar is most probably a result of Chopin's distraction – the notation of pedalling stops in A on the  sign in the middle of the bar, perhaps due to lack of ink; after returning to writing, the composer could have been occupied with another issue. In a very similar context in bar 20, the pedalling – pedal on each beat of the bar – is written in the entire bar. The addition of  in GE1 (→FEEE) is probably a routine revision – it is hard to imagine that, when adding pedalling, Chopin would have overlooked the accented chord on the 4th beat of the bar. When removing the sign, the reviser of GE2 could have considered that it would be better to leave a general  indication on the 3rd beat rather than to suggest no pedalling on the 4th one.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions, No pedal release mark, Inaccuracies in A

notation: Pedalling

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