Issues : Errors in GE

b. 98

composition: Op. 21, Concerto in F minor, Mvt I

No c2 in A & GE2

c2 in GE1

c2 tied in FE (→EE)

..

An additional cnote could have been added by Chopin in the proofreading of GE1 (→FEEE). The melodic line of the accompaniment, where the second quaver of each pair is higher than the previous dyad or chord, suggests that the note was probably to be sustained, which was then performed in the proofreading of FE (→EE). It cannot be excluded that the additional cwas printed in GE1 by mistake and left unnecessarily after having added the correct note, a(a Terzverschreibung error). The tie of this note, added in the proofreading of FE (→EE) and eliminating its repetition, would be then a "simplified correction," which would happen in Chopin's works, e.g. in the Polonaise in C minor, Op. 40 No. 2, bar 125. GE2 restored the version of A.

In the main text we give the version of FE as intended or accepted by Chopin. The version of A may be considered an equal variant, whereas the version of GE1 is almost certainly erroneous. 

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , Terzverschreibung error , GE revisions , Authentic corrections of FE , Authentic corrections of GE , Partial corrections

b. 99

composition: Op. 21, Concerto in F minor, Mvt I

 after d1 in A (→GE)

 under d1 in FE

 before d1 in EE

No sign in GE1a

..

The  sign was reproduced inaccurately both in FE and EE, each time shortening the ordered time of holding the pedal.

In some of the copies of GE1a, graphic retouches aimed probably at eliminating defects around the slur in bars 102-103 were performed (the defects are visible on the copy presented in our system). While performing corrections, the  sign discussed in bar 99 was deleted by mistake.

category imprint: Differences between sources

issues: Inaccuracies in FE , Errors resulting from corrections , Errors in GE , EE inaccuracies

b. 99-100

composition: Op. 21, Concerto in F minor, Mvt I

..

In these bars, in the part of the R.H. A has only one  raising d to d – at the beginning of bar 99. The  returning bat the beginning of the septuplet in bar 100 is also missing (all previous figures are delayed at the beginning of the group, a suspicion of Chopin's mistake is confirmed by the  written in FED). The editions added both necessary and cautionary signs; superfluous signs were deleted too, yet none of the editions has the completely correct text. In the main text we give all signs necessary for the correct determination of the pitch and two cautionary flats at the beginning of bar 100. 

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omissions to cancel alteration , Errors in GE , GE revisions , Cautionary accidentals , Omission of current key accidentals , Inaccuracies in A

b. 100

composition: Op. 21, Concerto in F minor, Mvt I

3 long accents in A

 in GE1 (→FE)

2 short accents in EE & GE2

..

It is difficult to explain the difference in approach to long accents between bars 99 and 100, since in A the signs in bar 100 are not longer than the previous ones at all. Perhaps they key to solving the puzzle is the overlooked third accent: if initially GE1 overlooked all accents in this bar, Chopin, while proofreading the edition, could have added the first two, which, this time, were incorrectly reproduced as 

category imprint: Differences between sources

issues: Inaccuracies in GE , Errors in GE , GE revisions , EE inaccuracies

b. 104

composition: Op. 21, Concerto in F minor, Mvt I

3 different accents in A

2 short accents in GE1

3 short accents in FE & GE2

3 vertical accents in EE

..

In GE1 the second out of three accents was overlooked and the difference in their length was not taken into account. The overlooked accent was restored in the proofreading of FE (most probably by Chopin) and in GE2. The change of font of the accents in EE is a typical revision of this edition.

category imprint: Differences between sources

issues: Long accents , EE revisions , Inaccuracies in GE , Errors in GE , GE revisions , Authentic corrections of FE